I remember realizing that what stayed with me in films was never the story.

It was the moments in between.

The pauses, the silences, the time before something happened or failed to happen at all.

 

Over time, I stopped trying to explain these moments and began to stay with them.

Cinema became less about telling and more about remaining present.

With spaces, with bodies, with durations that resist resolution.

 

I work with images not to move a narrative forward,

but to allow a situation to unfold at its own pace.

What interests me is how time and proximity can create tension without instruction.

 

Photography, Design or spatial work emerged naturally from this approach,

as ways of extending the same attention beyond the cinematic frame.

 

My practice continues to evolve,

but it remains rooted in this simple position:

cinema as experience rather than explanation.